Olha Omelchyshyna
Olha Omelchyshyna (Mai 2023):
"First of all, I want to thank the Americans and President Biden for their support for Ukraine. I'd like to introduce Ukrainian culture and Ukrainian art to the American audience.
Especially in today's realities, it is important to show, that our art and culture have an ancient history. It is woven into our everyday life".
Still Life
20x27 in, oil pastel, paper, 2024
We are happy to represent in USA wonderful artist Olha Omelchyshyna, whose works are full of life and beauty!
Olha Omelchyshyna lives and works in Kamianets-Podilskyi, Ukraine now. She has participated in exhibitions in Kamianets-Podilskyi and Kyiv, as well as in art competitions in the UK and Poland. We showed her art in the exhibitions in the Gallery@First Bedford, MA (2023), the Loading Dock Gallery, Lowell, MA (2024), at Abington Art Center, Jenkintown, PA (2024). It seems to me that she is currently in a period of powerful formation of her own style, despite the fact that there is a full-scale war in the country. Olha Omelchyshyna works in oil pastels.
Still lifes and other works by Olha Omelchyshyna will beautify any home. They will coexist with works of other styles and are striking for a living room or a child's bedroom. From a decorative point of view, they are absolutely charming and universal. We are delighted to present these works for the American audience, because it is easy to fall in love with them as soon as you see them.
Tit Birds
16x27 in, oil pastel, paper, 2023
(in a private collection, USA)
Here is what art critic Inna Berezina, PhD, says about Olha Omelchyshyna and her work: "Olha Omelchyshyna. Ukrainian artist and lecturer of fine arts disciplines at the Kamianets-Podilskyi Professional College of Construction, Architecture and Design. She graduated from the Kamianets-Podilskyi School of Art, Kamianets-Podilskyi Ivan Ohienko National University. Olha Omelchyshyna is a participant and winner of numerous national and international art contests and exhibitions. The artist works in various techniques of painting and graphics, realizes her own creative ideas in the genres of still life and landscape, and pays special attention to the animalistic genre − the images of which sometimes stand alone, and sometimes are components of meaningful still life.
The works by Olha Omelchyshyna presented in the exhibitions are the quintessence of art where meaning and ideas are interpreted by the artist in her own way. Here, simple truths and everyday things acquire warm comfort, painful memories, and strong emotions.
Still Life
20x20 in, oil pastel, paper, 2024
(in a private collection, USA)
Olha Omelchyshyna loves apples as much as Cezanne − her apples and pears dominate the picture plane, gravitating towards geometric bodies, denying the darkness outside the window with their physicality and brightness. Autumn flowers in a wicker basket and bunches of ripe viburnums against the background of a snow-white tablecloth and embroidered towel are not just a still life successfully assembled by the author; they are the code of the nation, they are signs and symbols that the artist transmits to the world. Disheveled little birds and a fluffy white cat are the main characters of the animalistic compositions. This is the world around us, simple and unpretentious, but it is an integral part of life, Ukrainian identification, and ethnic culture of the people.
All the compositions are made in oil pastels. However, Olha has already developed her own style. Pure colors are intertwined in small dynamic strokes, creating the illusion of complex shades. The impressionist and post-impressionist style of painting was developed by the artist and transferred to the world of oil pastels."
Olha Omelchyshyna's works enchant the viewer!
Pears and Apples
20x20 in, oil pastel, paper, 2022
(in a private collection, USA)
We really want to share the thoughts of the person who owns the painting on the right.
"The longer I look at this painting, the more I fall in love with it. Everything here feels so separate and yet together: each stripe has its own beginning and direction, echoing but never merging, creating either boundaries or lines of mutual understanding. The night, illuminated by the Shabbat light, turns into a tablecloth, its yellow stripes symbolizing wheat, passing the baton to the challah, which harmonizes with the authenticity of the ceramic vessel. Bread and wine, no matter how one interprets this combination, share a common origin beneath the shadow of the Promised Land. The red viburnum, which on one hand is fragile and exciting, radiates inner strength, leaning cozily and protectively around the prayer book, as if hearing or knowing something, trying to shield it from the outside world. For this day belongs to peace, even if the cup were overflowing. The spiderweb curtains captivate with their tenderness, chaotic interweaving - a beautiful organized chaos, where everything is less clear than straight roads, but eventually, through free will and with His help, they weave into something beautiful.
“Red is love, and black is sorrow,” the towel sings.
“And I will say nothing,” the rose replies, wrapping the blessed evening in its fragrance."
Viburnum and Challah
19x27 in, oil pastel, paper, 2024
(in a private collection, Germany)
Tit-Bird
11.7 x 8.25 in, oil pastel, paper, 2024
(in a private collection, USA)